LARGE CAST BRASS BENITIER SHELL MOTIF VIDE POCHE
A large Benitier shell in cast brass with original patina.
1970s
Made in France
ASYMMETRIC STONEWARE VESSEL BY SARA RADSTONE
Perfect condition
H: 10 1/2″ W: 10″ D: 7 1/4″
STONEWARE TEA BOWL BY MATS SVENSSON
Stoneware tea bowl finished with Nuka glaze
Handmade by Mats Svensson
Sweden, 2020
STONEWARE VASE WITH NUKA GLAZE BY MATS SVENSSON
Handthrown stoneware vase with Nuka glaze by Mats Svensson
As all products are handmade, sizes and colour may vary slightly.
Sweden
Artists statement
Working with ceramics means molding, joining and firing different materials from the earth crust. I find inspiration in nature and the seasonal changes. Throughout my professional life, I have been greatly influenced by Japanese ceramics and its relation to nature and asymmetry. Shapes that I often return to are simple irregular bowls for various purposes.
In the working process I seek for some kind of balance between the controlled and the unforeseen. I am working with utility goods and want my ceramics to be used. The tools I use to shape the clay are a potter’s wheel and plaster press molds. The glazes mainly consist of clays, ash and feldspar. Everything is fired in a gas kiln or an Anagama kiln to about 1280 degrees Celsius. The glazes mostly consist of clay, ash and feldspar.
Parallel to my own business as a potter, I also have been the head of the ceramics department at Leksand Folkhigh school in Sweden.
STONEWARE CUP WITH NUKA GLAZE BY MATS SVENSSON
Stoneware cup with Nuka glaze by Mats Svensson
Available individually or in sets of 2
As all products are handmade, sizes and colour may vary slightly.
H: 3 1/2″
D: 2 3/4″
Handcrafted in Sweden
Artists statement
Working with ceramics means molding, joining and firing different materials from the earth crust. I find inspiration in nature and the seasonal changes. Throughout my professional life, I have been greatly influenced by Japanese ceramics and its relation to nature and asymmetry. Shapes that I often return to are simple irregular bowls for various purposes.
In the working process I seek for some kind of balance between the controlled and the unforeseen. I am working with utility goods and want my ceramics to be used. The tools I use to shape the clay are a potter’s wheel and plaster press molds. The glazes mainly consist of clays, ash and feldspar. Everything is fired in a gas kiln or an Anagama kiln to about 1280 degrees Celsius. The glazes mostly consist of clay, ash and feldspar.
Parallel to my own business as a potter, I also have been the head of the ceramics department at Leksand Folkhigh school in Sweden.
STONEWARE VASE WITH NUKA GLAZE BY MATS SVENSSON
Handthrown stoneware vase with Nuka glaze by Mats Svensson
H: 8 1/2″
D: 6 1/2″
As all products are handmade sizes and colour may vary slightly.
Sweden
Artists statement
Working with ceramics means molding, joining and firing different materials from the earth crust. I find inspiration in nature and the seasonal changes. Throughout my professional life, I have been greatly influenced by Japanese ceramics and its relation to nature and asymmetry. Shapes that I often return to are simple irregular bowls for various purposes.
In the working process I seek for some kind of balance between the controlled and the unforeseen. I am working with utility goods and want my ceramics to be used. The tools I use to shape the clay are a potter’s wheel and plaster press molds. The glazes mainly consist of clays, ash and feldspar. Everything is fired in a gas kiln or an Anagama kiln to about 1280 degrees Celsius. The glazes mostly consist of clay, ash and feldspar.
Parallel to my own business as a potter, I also have been the head of the ceramics department at Leksand Folkhigh school in Sweden.
STONEWARE VASE WITH NUKA GLAZE BY MATS SVENSSON
Handcrafted in Sweden
Artists statement
Working with ceramics means molding, joining and firing different materials from the earth crust. I find inspiration in nature and the seasonal changes. Throughout my professional life, I have been greatly influenced by Japanese ceramics and its relation to nature and asymmetry. Shapes that I often return to are simple irregular bowls for various purposes.
In the working process I seek for some kind of balance between the controlled and the unforeseen. I am working with utility goods and want my ceramics to be used. The tools I use to shape the clay are a potter’s wheel and plaster press molds. The glazes mainly consist of clays, ash and feldspar. Everything is fired in a gas kiln or an Anagama kiln to about 1280 degrees Celsius. The glazes mostly consist of clay, ash and feldspar.
Parallel to my own business as a potter, I also have been the head of the ceramics department at Leksand Folkhigh school in Sweden.
FACETED VASE WITH NUKA GLAZE BY MATS SVENSSON
SOLD
Handcrafted in Sweden
Artists statement
Working with ceramics means molding, joining and firing different materials from the earth crust. I find inspiration in nature and the seasonal changes. Throughout my professional life, I have been greatly influenced by Japanese ceramics and its relation to nature and asymmetry. Shapes that I often return to are simple irregular bowls for various purposes.
In the working process I seek for some kind of balance between the controlled and the unforeseen. I am working with utility goods and want my ceramics to be used. The tools I use to shape the clay are a potter’s wheel and plaster press molds. The glazes mainly consist of clays, ash and feldspar. Everything is fired in a gas kiln or an Anagama kiln to about 1280 degrees Celsius. The glazes mostly consist of clay, ash and feldspar.
Parallel to my own business as a potter, I also have been the head of the ceramics department at Leksand Folkhigh school in Sweden.
MAGAZINE RACK BY MATHIEU MATÉGOT (1910-2001)
Black perforated sheet metal magazine rack designed by Mathieu Matégot
France, circa 1950s
H: 19 3/8″ x W: 17 5/8″ x D: 5 1/4″
MODEL 3808 MAGAZINE RACK BY CARL AUBÖCK
Small Brass Framed Magazine Rack with Slung Leather by Carl Auböck
circa 1950s
10.5″ L x 6″ W x 19″ H
WALL TAPESTRY BY BARBRO NILSSON FOR MÅRTA MÅÅS FJETTERSTRÖM
Handwoven wool tapestry mounted on linen
Designed by Barbro Nilsson for Mårta Måås Fjetterström
Signed AB MMF
Sweden
H 13 1/4″ x W 26 1/2″
TEA BOWL BY EWEN HENDERSON
SOLD
Stoneware and porcelain clay tea bowl by Ewen Henderson (1934-2000)
England, 1990
H 3.5″ (8.5 cm), W 5″ (12.5 cm), D 4.5″ (11.0 cm)
GROUP OF MORANDI BOTTLES BY AKIKO HIRAI
Three bottles inspired by the still life paintings of Giorgio Morandi by Akiko Hirai (b. 1970)
England
Largest H 5 3/4″ (14.1 cm), Smallest H 5″ (12.4 cm)
ASYMMETRICAL BOWL BY EWEN HENDERSON
An asymmetrical bowl handcrafted by Ewen Henderson (1934-2000)
Layered with pink, olive green, and grey glazes
England, 1970s-1990s
H 4 1/4″ (10.5 cm) W 8 1/4′ (20.5 cm) D 5 3/4″ (14 cm)
PORCELAIN VASE BY KATO TSUBUSA
Serene pale blue celadon vase by Kato Tsubusa (b. 1962)
Incised with marker’s mark, together with a signed wooden box
Japan, Late 20th Century
H 8″ (20.2 cm) D 4 1/4″ (10.2 cm)
COLLECTION OF VESSELS BY CARL-HARRY STÅLHANE
SOLD
Two vases and a footed bowl with hares fur glaze in matte white by Carl-Harry Stålhane for Rörstrand
Incised “R SWEDEN CHS” and “SOT”
Sweden, 1950s
Ranging in height from 4 1/4″ to 8 3/4″
CERAMIC BOWL BY MUGGI WILLE-NIELSEN
An ovular ceramic bowl with white, yellow and olive green glazes by Danish artist and potter Muggi Wille-Nielsen
Incised monogram
Denmark, mid-century
H 8 1/4″ (21 cm) L 13 3/8″ (34 cm) W 13″ (33 cm)
PAIR OF SILVER AND TEAK CANDLESTICK HOLDERS BY TAPIO WIRKKALA
Finland, 1959-1960
H 3 1/2″(9 cm)
PORCELAIN BOWL BY KARL SCHEID
Handthrown porcelain bowl in silky matte white and celadon colored glaze with petal rim in light pink
Marked with workshop mark and dated 1994 (stamp)
Germany, 1944
H 4 7/8″ (12.5 cm) Diam. 5 1/2″ (13.9 cm)
SMALL STONEWARE VASE BY ARNE BANG
Small ribbed vase by Arne Bang
Denmark, 1920-1950s
H 5 1/4″ (13.5 cm) D 3 1/4″ (9 cm)
STONEWARE BOWL BY GUTTE ERIKSEN
Stoneware bowl with impressed patterns and spiral to the well
Finished with grey and blue glazes, red and brown undertones
Incised with “Gutte” monogram
Denmark, 1950s – 1980s
D 8 1/4″ (21 cm) H 3 1/2″ (8 1/2 cm)
